The Control Room
Home to a restored 1973 Neve 8068 in a John Flynn–designed control room with ATC soffit-mounted monitoring.
Designed for precision
The Control Room at Salvation Studios was designed by John Flynn — the acoustician who built the control rooms at both Olympic and Abbey Road Studios. Working alongside the studio's founders, Flynn created an environment of surgical acoustic precision, optimised for the Neve 8068 console and ATC soffit-mounted monitors. The result is a room you can trust completely — where what you hear is what the world will hear.
The Neve 8068
The restored 1973 Neve 8068 defines the sonic character of the control room — warm, musical and trusted by engineers for tracking and mixing. 'We pushed up the faders on the immaculate Neve 8068 and it was all there.' — Mike Horner.
ATC Monitors
Our ATC SCM200ASL monitors are soffit-mounted in a room purpose-built for them by world-renowned acoustician John Flynn — the man who designed the control rooms at both Olympic and Abbey Road Studios. The result is a monitoring environment of almost surgical precision, allowing engineers to hear every detail of a recording with total confidence.
Analogue depth and character
A carefully selected range of analogue outboard equipment complements the console, offering additional depth and character while maintaining a streamlined, intuitive workflow. Whether it's creating textured ambient delays with our vintage Roland Space Echo RE-201, running vocals through our ethereal, original 70's EMT 140 Stereo Plate Reverb or adding energy to drums with our range of vintage compressors, we've got the right tools for any job.
Enquire about the Control Room
Ask about Control Room availability for your next project — in-house engineers can be discussed, or bring your own team.